Relationships in Othello - changethru.info
Use our interactive grid to see how the characters are linked together, who loves and trusts who, and how their relationships change over the course of the play. Emilia is a character in the tragedy Othello by William Shakespeare. The character's origin is In Shakespeare, she is named Emilia, is the wife of Othello' s ensign, Iago, and is an attendant to Othello's wife, Desdemona. In she later discusses with Desdemona their differing views on marriage and fidelity. Emilia states. Iago treacherously makes Desdemona's handkerchief, a marriage gift from Roderigo is shown jealous of Othello and Iago of Cassio. Iago's.
She bids Othello to do the sensible thing and ask Cassio how he obtained the handkerchief but this is too rational for Othello who has already ordered his murder. Even as Desdemona faces her death, she asks Emilia to commend her to her 'kind lord'.
She remains in love with him knowing that he is responsible for her death. In his final speech Othello claims that he was "one that loved not wisely but too well" and it is clear that his feelings regarding Desdamona were extremely passionate and overwhelming. Whether one lays all the blame for the tragedy at Iago's door, however, or holds Othello responsible is a matter for each individual audience member as they watch the play.
Iago and Emilia - An Unhappy Marriage The relationship between Iago and Emilia is not that of a strong and equal tie of love which we expect to find existing between man and wife. When she exposes his scheme he kills her without a moment's hesitation and shocks the people who witness it: She steals the handkerchief in order to make him happy and perhaps strengthen their relationship: I'll have the work ta'en out, And give't lago: Her character is somewhat tarnished by her association with Iago but she seems self-aware enough to realise that this is the case: Her remarkable courage in standing up to him to defend Desdamona in the final Act redeems her character in the eyes of the audience: I hold my peace, sir?
No I will speak as liberal as the north: For once, and for the first time, he allows purely personal considerations to sway him from following the established order of preferment in the army, and does a great injustice to lago. With no reason that he dare give, he appoints a wholly inexperienced man in preference to a tried and proven soldier who had fought under his own eyes, "At Rhodes, at Cyprus, and on other grounds Christen'd and heathen.
Othello Character Relationships | Shakespeare Learning Zone
This wholly unwarranted rightly grieved lago, who took it as a great slight, for he believed he was entitled to promotion. It also shook his confidence in Othello, and roused in him all his force of resentment and turned him into a bitter enemy of Othello.
Thus far in Shakespeare's play there is not so much as a hint of the motive assigned to lago in Cinthio's novel, the presumed source of the play. The dramatist has almost completely changed the point of view of the whole story, by inventing an entirely new, and perhaps loftier if not better, motive for his lago. On the other hand, he transformed the one he found in the story, and invented the character of Roderigo to bear that vulgar part. Then he invents a second motive for Iago, and makes him hate Othello also for his supposed relations with Emilia.
By way of revenge for this offence, lago's first impulse is to try to corrupt Desdemona, and thus get even with Othello. But how little this was his intention is seen by the fact that he never seems to have seriously considered it. In place of this, however, he has an alternative that becomes his ruling motive, to put Othello into a jealousy of Cassio. This he thinks will serve to revenge himself on Othello for both offences at one blow: And nothing can, or shall content my soul Till I am even'd with him, wife, for wife.
Or failing so, yet that I put the Moor At least into a jealousy so strong That judgment cannot cure. The two offences with which lago charges Othello are both matters of honor, and mark phases of Othello's inability to sustain the new and exalted life of his adopted country.
He was quite equal to the task of maintaining his military, or semi-barbaric, relations to the state, and rose to the highest command in Venice.
But in matters of personal honor he is not above reproach, and in his obtuseness offends lago in two ways. Some critics think it is because of such offences as that with Emilia that Othello is unable to maintain an undisturbed married relationship with his refined and delicate Venetian bride.
But his guilt is left very doubtful by the play, and therefore this conclusion is unwarranted. It is sufficient to observe, however, that the clear-headed lago perceives this to be his most vulnerable point, and by enlisting the dupe Roderigo, attacks him where he is weakest. The first thing they do is to rouse up Brabantio, and under his leadership institute a search for the eloping pair.Iago Character Analysis
Shakespeare has here greatly enlarged and dignified the meaning of his play by making Roderigo, and not lago, the disappointed suitor of Desdemona. Their joint appeal to Brabantio will be the best possible plan of attack on Othello, as it will show Othello in opposition to the law and to a senator of the state. His inferior position compels him to play the hypocrite, and appear to continue faithful to Othello.
But this very position enables him the better to work out his purpose, which is not to destroy Othello, but only to disturb his relations with Desdemona, and to put him into an agony of jealousy. He takes it and forbids her from mentioning its whereabouts. After Othello rages over the loss of the handkerchief, Emilia attempts to comfort Desdemona.
Relationships in Othello
Emilia states she would commit adultery if it gained her husband the world and also asserts that husbands are to blame, arguing for equality and mutual respect in marriage. She briefly appears in 5.
She calls for help and Iago, Montano and Gratiano appear. Emilia having heard from Othello that Iago told him of Desdemona "cheating" on him with Cassio, accuses him of gross dishonesty leading to an unjust murder.
Emilia (Othello) - Wikipedia
When she hears about the handkerchief, she reveals her role and Iago threatens and then kills her at the first opportunity. Analysis[ edit ] Emilia is a comparatively minor character for much of the play; however, she serves to provide a strong contrast to the romantic and obedient Desdemona, demonstrating that she is both intelligent and distinctly cynical, especially on matters relating to men and marriage — her speech to Desdemona listing the faults and flaws of the male sex in 4.
She also states in the same scene that she would be willing to commit adultery for a sufficiently high price — this shows her cynical and worldly nature in sharp contrast to Desdemona, who seems almost unable to believe that any woman could contemplate such an act. Throughout the play, Iago uses Emilia's close friendship with Desdemona to gain access to her and, in particular, asks her to steal Desdemona's handkerchief, which he subsequently drops in Cassio's house and later uses this as evidence to convince Othello that Cassio has been with Desdemona.
Emilia does not agree to steal the handkerchief for Iago.